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Hit Points is fifty! Heavens above. It’s now a little over three months since I first unveiled it to the world, and with a nice round number giving me a milestone worth marking, I thought I’d use today’s installment to talk about how it’s going, how
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A warm welcome back, then, to not-E3 — for that was surely what we saw from Sony last night. Which is better, do we think? A widely trailed annual event, upon which the eyes of the gaming globe are firmly fixed, and for which expectations are always through the roof? Or
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I’m in a bit of a hurry today. The youngest came home from nursery yesterday and promptly threw up, and now faces a mandatory two days at home. And so, just two days after his big brother went back to school, my wife and I are dancing a familiar
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When I was out and about representing Edge back in the day, I would often be asked what my favourite part of the job was. My answer was always the same: the first day of work on a new issue, when I would sit in front of a mostly blank
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Last night I restarted Ghost Of Tsushima, a game I played for a few hours at launch but never quite clicked with (I have a 400-word rant in me about dodge-button placement in action games, and the insanity of shipping a modern game without fully remapabble controls, but will save
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While we in the west talk a lot these days about China’s game industry, our discussions typically focus on its activities over here. That is quite understandable: it feels like scarcely a week goes by without Tencent or NetEase pumping investment into another renowned western developer or publisher. But
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Well, there goes not-Gamescom. It’s been a quiet week on the whole, but there are certainly a few things worth discussing. First up: further evidence of a creeping return to the bad old days of pre-rendered trailers. Why are we doing this again, when today’s hardware is so
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Now, look, I like live-service games. Some of my best friends are etc and so on. While it’s fashionable to complain about a breed of games that are not designed so much to be played as to be lived in — heavily social things that are endlessly updated and (hopefully)
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Despite spending ten years in the videogame media, I have never been to Gamescom. Early in my career, my employer didn’t consider it big enough to bother sending anyone to. (One former colleague used to pay his own way out there, then make thousands writing up what he’d
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Back in the mists of time — okay, the early 2000s — I put my nascent banking career on hold and briefly became a music journalist, working for a lifestyle and clubbing website as music editor. It was a wonderful time, until it wasn’t anymore, but 20 years later I naturally
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Today, an object lesson in what happens when a company gets too big. That, at least, is the kinder interpretation of what’s going on at Epic Games. Yesterday the company behind Unreal Engine, Fortnite and an all-out legal assault on Big Tech unveiled a new game mode for Fortnite,
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Last week, writing about Fullbright and the ongoing Activision-Blizzard misconduct scandal, I found a small crumb of comfort in the fact we were finally hearing the stories of people who had for years felt cowed into silence. It is the first painful step in a long, difficult, but vital process.
