Newsletter
Last year, the world suddenly had to figure out how to work entirely from home. This year the challenge is, in many ways, even greater: working out what ‘work’ means now things are opening back up, after everyone’s spent 15 months proving they can do their jobs from their
Newsletter
With not-E3 fast approaching — for clarity, it is only E3 if I am nursing a hangover in the Beverly Center branch of Uniqlo, pondering if I can really be bothered going to Ubisoft later — yesterday saw a chunk of game-industry Twitter posting their favourite photos from E3s past. I didn’
Newsletter
A few years back I wrote a story for Edge about Sharkmob, a Swedish studio set up by a gang of former developers at Ubisoft Massive. I’d met the CEO, Fredrik Rundqvist, a few years earlier when I went to Malmö for a cover story on the just-announced Tom
Newsletter
With the internet the way it is these days, I’m a firm believer that game companies should consider doing their own in-house editorial work. (With my consultant’s hat on, I’ve helped some make it happen.) Today's online media is so data-driven that it’s harder
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Every so often — typically after I’ve upgraded my PC in some way — I will muck around with Dolphin, the popular GameCube and Wii emulator. It’s a fun, slightly off-kilter way of benchmarking. Rather than seeing how well my tarted-up rig can run a Crysis or Cyberpunk, it’s
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To Poland, where CD Projekt Red has further upset its already angry investors by announcing a drop in profits of some 65%, as the Cyberpunk 2077 furore spreads to its maker’s balance sheet. CDPR has done its best to put a positive gloss on the news — attributing it in
Newsletter
Looking ahead to not-E3, and what needs to be a blockbuster year for Xbox.
Newsletter
Some thoughts — and cautious optimism! — on the rumoured Valve handheld.
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My centralised platform could beat up your centralised platform.
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Honestly.
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Oh, for something truly new to look forward to.
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Come work for Ubisoft! Maybe! No, we won't pay you, don't be silly.